The buzz
was loud way before Christine Phung’s show Tuesday on the first day of the
latest Paris Fashion Week. Couture experts were predicting an innovative autumn/winter 2014-2015 ready-to-wear collection, and Phung did not disappoint.
Phung evokes snow |
It was
nearly enough to make one forget that the fashion show was taking place on the
second floor of Galeries Lafayette’s “Maison” (home) store, with a wooden
runway and wooden benches. Even if the techno music by Camille Desprès
didn’t much bring the mountains to mind, Phung’s designs certainly did.
The
vibrantly colored cashmere, digitally printed silk, and woven jacquard were
incorporated into sleek cuts, and at times the garments were detailed with
crystals and gems to evoke the elements.
Phung's goggles say it all |
The young
French-Cambodian designer also experimented with different colors: blues,
maroons, and oranges, along with black and white. The color combinations were
striking but did not clash: one design comprised a woolen jacket with blue,
grey, maroon and white, worn with orange stockings and simple black heels.
Other designs had the more usual hues, and instead emphasized the appealing cut of the
clothes.
It was an
impressive first day of Paris Fashion Week, with other designers also determined to shine.
MOON YOUNG
HEE
Moon Young Hee's simplicity |
The mood
was set with a pared-down remix of Suzanne Vega’s hit “Tom’s Diner”, evocating
… well, space and art somehow. As a few spectators tapped their feet, the
models emerged, enrobed in thick wools, tulle netting, gauze, and velvets.
The colors
were minimalistic: black, white, brown, and blue; the cuts however, were not.
Flowing pants, layered coats, and scrunched sleeves. The designs reminded one of Comme des Garçons, but a subdued version.
Each model’s hair was loosely pulled back and tied at the very tip with their own winding strands, which looked effortless yet elegant. The accessories were marginal; the same black creepers on every model, although some of the outfits had accents of crystals.
Each model’s hair was loosely pulled back and tied at the very tip with their own winding strands, which looked effortless yet elegant. The accessories were marginal; the same black creepers on every model, although some of the outfits had accents of crystals.